The first light Slowly awakening trees, for a brief moment woven in liquid gold
'The First Light' is a new artwork in my collection 'Wavy Fields’.
The First Light - Trees in golden morning light - Digital artwork based on fine art photography by Jacob Berghoef
General info on this artwork
This is a digital artwork, printed with high-quality ink on museum-quality cotton paper (Hahnemühle Photo Rag® 308gsm). The work comes in a limited edition of 10, signed and with a certificate of authenticity.
For these artworks, I start with one or more photographs made by myself. I edit it in multiple process runs and in several layers by color manipulation and adding and editing multiple digital photographic effects. I do that until a surrealistic atmosphere is created that touches me and tells the story I want to tell.
The photograph(s) I begin with has/have an impressionistic, surrealistic or abstract realist style, which is the basis for all my work.
Morning glow The sun kisses the clouds Blinded by the eye
A beautiful autumn morning. The sun appears on the horizon, its warm light kisses the clouds above the fields in Kobberø, Thy region, North Jutland, Denmark.
'Kissing The Clouds' is a new artwork in my collection 'Wavy Fields’.
Kissing The Clouds - Digital artwork by Jacob Berghoef
General info on this artwork
This is a digital artwork, printed with high-quality ink on museum-quality cotton paper (Hahnemühle Photo Rag® 308gsm). The work comes in a limited edition of 10, signed and with a certificate of authenticity.
For these artworks, I start with one or more photographs made by myself. I edit it in multiple process runs and in several layers by color manipulation and adding and editing multiple digital photographic effects. I do that until a surrealistic atmosphere is created that touches me and tells the story I want to tell.
The photograph(s) I begin with has/have an impressionistic, surrealistic or abstract realist style, which is the basis for all my work.
Thick clouds of black smoke darken the sun Eyes tear, trees cry The sun colors the evening in the hues of the flames that eat tree after tree How high may become the price the future will have to pay?
I feel it as my mission to make people aware of the beauty, power and simultaneously fragility of nature. Yet at the same time, this sometimes feels like hypocrisy because I am part of the society that is causing the destruction of the habitability of the earth. Even though I do my best to live simply and keep my carbon footprint considerably smaller than "the use" of 1 earth. At times when I feel that, I also feel an urge to create a work with a poignant message....
Trees Cry
General info on this artwork
This is a digital artwork, printed with high-quality ink on museum-quality cotton paper (Hahnemühle Photo Rag® 308gsm). The work comes in a limited edition of 10, signed and with a certificate of authenticity.
For these artworks, I start with one or more photographs made by myself. I edit it in multiple process runs and in several layers by color manipulation and adding and editing multiple digital photographic effects. I do that until a surrealistic atmosphere is created that touches me and tells the story I want to tell.
The photograph(s) I begin with has/have an impressionistic, surrealistic or abstract realist style, which is the basis for all my work.
Thick clouds of brown smoke darken the sun Eyes tear, birds cry The sun colors the evening in the hues of the poison that factories vomit How high may become the price the future will have to pay?
I feel it is my mission to make people aware of the beauty and at the same time fragility of nature. At the same time, this sometimes feels like hypocrisy because I am part of the society that causes the destruction of the earth's habitability. Even though I do my best to live simply and keep my ecological footprint considerably smaller than "the use" of 1 earth. At times when I feel that, I also feel an urge to create a work with a more poignant message....
Birds Cry
General info on this artwork
This is a digital artwork, printed with high-quality ink on museum-quality cotton paper (Hahnemühle Photo Rag® 308gsm). The work comes in a limited edition of 10, signed and with a certificate of authenticity.
For these artworks, I start with one or more photographs made by myself. I edit it in multiple process runs and in several layers by color manipulation and adding and editing multiple digital photographic effects. I do that until a surrealistic atmosphere is created that touches me and tells the story I want to tell.
The photograph(s) I begin with has/have an impressionistic, surrealistic or abstract realist style, which is the basis for all my work.
she lifts the shade, impatient for a glimpse of flight: a sparrow, a swallowtail— something with wings she can memorize.
The above stanza is from Laura Ann Reed's poem "As Clouds Before the Wind", and inspired me to make this artwork. Laura Ann is a poet from the US, her work particularly appeals to me. Moreover, she is a very inspiring woman; I am fortunate to have a regular email contact with her. Read more about Laura Ann and enjoy some of her poems via this link to her website. The entire poem is below the image of the artwork.
'A Glimpse Of Flight' is an artwork in my collections 'Secret Places'.
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A Glimpse Of Flight
Laura Ann's poem:
As Clouds Before the Wind
There are borders toward which she moves, although she can’t say what galaxies they lie between.
Daily, she prepares for a parting in the trees, waits for the window hinge to break, the pane to crack
and fall. She’s ready for the wind to fill her room. She has one foot planted on another planet,
and in her sleep she yields naked to the Eros of its magnetic field— its ethereal embrace. When she wakes
she lifts the shade, impatient for a glimpse of flight: a sparrow, a swallowtail— something with wings she can memorize.
General info on this artwork
This is a digital artwork, printed with high-quality ink on museum-quality cotton paper (Hahnemühle Photo Rag® 308gsm). The work comes in a limited edition of 10, signed and with a certificate of authenticity.
For these artworks, I start with one or more photographs made by myself. I edit it in multiple process runs and in several layers by color manipulation and adding and editing multiple digital photographic effects. I do that until a surrealistic atmosphere is created that touches me and tells the story I want to tell.
The photograph(s) I begin with has/have an impressionistic, surrealistic or abstract realist style, which is the basis for all my work.
While trees cry fish shed their tears in endless waves
'Swimming In Tears II' is an artwork in my project 'Drowned Earth'. In this project I show you how I see the earth of a century from now. A fusion of the forests and the oceans, with hopefully in the distant future a rich ecosystem that has managed to adapt to the new circumstances.
Will there still be room for humans in that world? Yes, I think there will be. Will there also be room for consuming Western man? No, unless they learn to be one with nature again. It will take several generations before that happens. I sincerely wonder whether the generations of Western man who are now living on earth will be able to bring about this transformation. More time is needed for that, I fear....
This is a digital artwork, printed with high-quality ink on museum-quality cotton paper (Hahnemühle Photo Rag® 308gsm). The work comes in a limited edition of 10, signed and with a certificate of authenticity.
For these artworks, I start with one or more photographs made by myself. I edit it in multiple process runs and in several layers by color manipulation and adding and editing multiple digital photographic effects. I do that until a surrealistic atmosphere is created that touches me and tells the story I want to tell.
The photograph(s) I begin with has/have an impressionistic, surrealistic or abstract realist style, which is the basis for all my work.
You ask me why I live alone in the mangrove forest, at the edge of the infinite sea. I smile, I am silent until even my soul grows quiet: it lives in the other world, one that no one owns. The trees bloom. The waves keep coming.
Inspired by the poem ‘I Make My Home in the Mountains’ Li Po (701-762 )
Mangroves, just as seagrass beds and coral reefs, keep coastal zones healthy. Mangroves provide essential habitat for thousands of species. They also stabilize shorelines, preventing erosion and protecting the land — and the people who live there — from waves and storms.
There are many threats to mangrove forests: sea level rise, tourism, land reclamation for agriculture, shrimp farms, pollution from fertilizers from agricultural areas and waste from cities, logging... just to name a few.
The consequences are enormous. Not only because, like all trees, they hold a lot of CO2 both in their biomass and in the soil of the forests, which is released when the forests are destroyed, but also because they house very fragile ecosystems that are lost when the trees disappear.
Text continues below the image
Living In The Other World
General info on this artwork
This is a digital artwork, printed with high-quality ink on museum-quality cotton paper (Hahnemühle Photo Rag® 308gsm). The work comes in a limited edition of 10, signed and with a certificate of authenticity.
For these artworks, I start with one or more photographs made by myself. I edit it in multiple process runs and in several layers by color manipulation and adding and editing multiple digital photographic effects. I do that until a surrealistic atmosphere is created that touches me and tells the story I want to tell.
The photograph(s) I begin with has/have an impressionistic, surrealistic or abstract realist style, which is the basis for all my work.
I have the right to fly To grow, to prosper The right to be To raise offspring To feed you and others To be fed myself Who defends our rights?
Does a human being have more right to a clean earth and a safe and healthy life than a bird, a tree, a flower?
If your answer to this is "Yes," then why?
Hasn't that human being forfeited that right by polluting the earth, by risking his health through bad eating habits and by using year after year more than what the earth can provide?
Does a Western person have as much right to it as a person in a developing country who has never been guilty of that unbridled consuming, polluting and unhealthy behavior?
Right or Favor?
Do I have a RIGHT to live in a healthy environment? Or is life a FAVOR of nature, which I may enjoy as long as I behave nicely and don't make a mess of my body and my surroundings, and that of people around me and people far away?
I can get terribly irritated by the cries of Western people about their rights. Right to clean air, right to clean water, right to healthy food, right to... In my opinion, we in the 'developed countries' have long since forfeited all our environmental rights, and yet we continue as if the amount of available rights for us can never be exhausted.
Wake up, it's long run out. There is no clean water anymore, no clean air, no clean fertile land. Your rights, my rights, they all stop, where and when we abuse the rights of nature.
We spoiled children, we must earn our rights for today and tomorrow and the rights of humanity in the future. By sustainable living, by consuming significantly less, by cleaning up what we ourselves have polluted.
Right To Fly
'Right To Fly' is a new digital artwork in my collections 'Stray Birds' and 'Digital Art'.
Through my artworks I ask you to reflect for a moment on the nature around you, on the beautiful feeling that nature can evoke, on what we lose when we continue on the destructive path of ever more…
Dreams wander between the trees, waiting, longing to be reborn as common sense in a new time
Many people dream of an earth that is safe and clean, that is treated with care so that it can give enough to all its inhabitants without becoming exhausted. Only when all those dreams come to life in common sense and people take action to live differently will that dream become a reality.
Do you ever dream about that too? And what did you do today to make those dreams come alive?
I washed myself this morning with cold water, yesterday I grabbed my bike to go shopping. Then I covered a section of the vegetable garden where the harvest is finished with a layer of shredded garden waste. As food for the new sowing season next year, to cover the soil in its resting period against drying out and prevent the growth of too many weeds...
This digital artwork was created through a collaboration with Janet Akselrud↗️, here is her website↗️. She generously gave me permission to use one of her digital artworks. Thank you Janet, I hope you like the result !
Through my artworks I ask you to reflect for a moment on the nature around you, on the beautiful feeling that nature can evoke, on what we lose when we continue on the destructive path of ever more…
Sun and rain have done their work Barnacle geese dance above the fields The harvest has begun
August heralds the beginning of the harvest season. In practice, we have been harvesting in our vegetable and fruit garden for several weeks, but the farmers around us are now gradually beginning to harvest the crops as well.
It feels to me like the beginning of the end of the growing season. It is not yet autumn, or in my words, nature's rest period has not yet begun; in fact, it is the busiest time of year for food-growing humans. But nature's task is almost over for this growing season, the fruits can be picked.
And in recent days we have seen the first flights of geese pass by, shuttling back and forth between the nature reserve where they spend the night, and the fields where harvesting has taken place, feeding on the scraps left by the harvesters.
Have they sensed that harvest time is beginning, and there is plenty of food for them? I think so...
Harvest Dance
'Harvest Dance' is a new digital artwork in my collection 'Wavy Fields'. The photo of the fields in front of or house, which is the basis for this work, is made by Anuscka.
Through my artworks I ask you to reflect for a moment on the nature around you, on the beautiful feeling that nature can evoke, on what we lose when we continue on the destructive path of ever more…
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